Showing posts with label blog chain. Show all posts
Showing posts with label blog chain. Show all posts

Friday, July 16, 2010

Confessions of a Nazi - Sympathetic Bad Guy?

Hello there! I'm doing another blog chain (yes, yes, we already covered the addiction problem last month) with AW members. This time, the fascinating topic is to show your antagonist in a sympathetic light. I LOVED the idea, but had quite a hard time figuring out how to do it. The problem, y'see, is I very rarely have an ANTAGONIST. Not the capital letters type. More often the antagonist is a situation; the person themselves; or the entire Nazi army. The few novels where I have a definite antagonist are mysteries. You don't expect me to reveal my carefully-hidden villain, do you? Well, it doesn't matter - I'm not going to. :)

And since it's a bit difficult to paint the entire German army (or Protectors, or CIA-gone-wrong, or Black Ops group) in a sympathetic light, I tried to find one specific antagonist. I found him (a Nazi captain) hulking and lurking his way through three chapters of A Fire Is Woken. He doesn't have a pronounced role, but readers have said he's chilling and completely evil, so I sat down with him this morning and we had a nice little chat about WHY he's evil.

Found out some interesting things! He didn't very much like talking to me (apparently there was some left-over resentment from WWII) but he agreed to write a letter to his wife explaining the situation, and it's that which I will present here. But before the letter, I'd like to post a short snippet from the novel, showing him in fine fettle as the evil villain.

Backstory for the snippet: Julie works as a secretary for the SOE (British secret service during WWII). Through a complicated series of events, she's now on an emergency mission in France with four other trained agents. A few hours previously, they've been captured by SS troops, and are being held in SS headquarters by aforementioned SS kapitan.


Iron scraped against iron. Light flashed down the stairs, bounced off the wet walls, glinted off the round helmets of the descending German soldiers. Their rifles banged against their shoulders as they dragged a formless shape down the stairs.

The cell door rattled open, and Trese's limp body slumped to the floor. In speechless horror, Julie watched as his head rolled sideways. Bloody bruises swelled his face out of shape; his mouth hung half-open over broken teeth. His shirt was ripped, and chunks of flesh stuck to bloody fiber.

A scream of horror built inside Julie, edging her vision with black. Oh God! Then, as Trese's body twitched and his eyes rolled open, she crawled forward. What do I do. What can I do.

Her hand reached out, slipped behind his head, lifted it off the floor, even as she ripped the sweater from around her shoulders and and put it beneath his head. Caught up in the desperation to help, somehow, anyhow, she forgot the Germans...

...until the cool tickle of a whip touched the back of her neck.

The kapitan's mouth pursed thoughtfully as he looked down at her. “This one,” he said in English, “this one will talk. Take her!”

The two Germans leaped forward. Their hands, sticky and wet from Trese's blood, closed around her arms, jerked her to her feet.

Time stopped. Unable to breathe past the terror, she stared around the cell, begging wordlessly for help she knew wasn't coming. Richards met her gaze for a split second, then he turned away and stared at his hands laced around his ankles. Bonvie didn't even look up.

Help me!

At her feet, Trése looked up through bleary eyes, and seemed to see what was happening. His mouth worked, as if he might be trying to speak, and then a bubble of saliva formed and deflated on his lips, and his head fell back.

This is it. In that moment Julie knew. She was completely alone and help wasn't coming.

The cold slick whip curled around her wrist. The cool blue gaze of the kapitan appraised her. For a split second, he seemed to hesitated. Emotion flickered through his eyes; his mouth twitched.

Let me go. Please let me go.

Then he smiled, and let the coil of whip slither from her wrist. "You will talk," he said again in English. "Oh yes. You will."

Inside Julie a scream began to build. I'm not ready to die. Oh God, I'm not ready to die.

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And now you (hopefully) have been creeped out, here's the letter he wrote to his wife the morning before.

To my wife Minna

You will never read this letter. I will destroy it the moment I finish it. I am a fool to write it at all. It is a weakness, an act of foolish desperation: a child throwing blocks at a wall. Unworthy of an officer of Germany. I do not say an officer of the Reich, for there is no worthiness there at all.

Our son is dead. You have received the telegram today, doubtless. You have read the high-minded words of his noble sacrifice, and the condolences and assurances of his painless, brave death in battle.

What you will never know is they are all a lie.

Our son did not die in battle. He did not die nobly. And he did die screaming in pain.

You have heard Hitler scoff of the secret agents Britain has sent to French soil, but what you have not heard is that they are a deadly weapon. These people are without honor, soul, or truth. It was to them that our son died. He was lured in by a girl, apparently from the local village, sympathetic to our cause. Our son, as you know, had a kind heart and the girl's pitiful story moved him. He went, finally, to “visit” her – and there was captured by her colleagues, enemy agents all.

The rest I pieced together only with guesswork...and by the hideout, which we found and captured. Too late. I found our son's body there. He had been tortured to death. He died screaming in pain. I saw him lying there, Minna, saw his blood and his broken body.

And yet I could have born that, but for the destruction of the weapons train the night after. The weapons shipment from the Homeland was the closest kept secret of the month. Only five officers knew of it in our sector. Myself, three others...and our son.

He died screaming in pain, Minna, screaming out the information they sought.

Our son did not die a hero, Minna. The enemy made him a coward, a traitor, and deserving of death.

I prayed once that this war would end, that Hitler's insanity would end, that our men would return to our great country to the arms of our loved ones. In the moment I looked down at the body of our son, my prayers ended. All I wish for now is to destroy every man, woman, and child who destroyed my son.

I will not rest until I have brought them down.


What do y'all think?

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Check out all these posts as well to see more interesting and unusual looks at the traditional Bad Guy!

Tuesday, June 15, 2010

Candid Camera: A Look At Character

I think I'm addicted to something. A new something, I mean. Blog chains, in general and particular. Here I am again taking part in an AW blog chain, topic of which endeavor is Character. Specifically, a scene which perfectly captures the essence of your character.

So last night I got out my “camera” and went hunting for a candid snapshot. After wandering through four of my novels and dozens of characters, I finally settled on this scene from my novel SS-5. (For those of you new to my blog, that's 2009's NaNo novel, my first excursion into YA, thriller, and suspense. Details here: http://frontnotes.blogspot.com/2009/10/historical-note-teenage-spies.html )

SS-5 is based on the true story of five Dutch teenagers (four boys and a girl) who, when the Nazis took control of Holland, banded together to fight back. At this point in the novel, the boys have been assimilated into the real Resistance, and are actively involved in deadly espionage. The pressure and danger is forcing them into a maturity far beyond their age, and it's ripping apart the bond of friendship between the five.

Affected most is Charlotte, who is forbidden to take part because of being female. She's forced to watch as her friends are destroyed, and is tormented by the ferocious need to take part in the fight.

The scene should be self-explanatory. Thoughts and critical feedback would be awesome!

*********

Charlotte sat in her room, drawing with fierce strokes the figure of a girl in armor. A girl, standing on a hill, armies sprawled shining out below her. She held up the flag of victory, and from open mouths all around poured grateful accolades. But there was no triumph in the girl's eyes, just a sort of sad relief.

Had Joan the Maid, centuries ago in France, wondered if she could ever succeed? In those days when everyone said she was mad, had she known that her cause was true?

Charlotte wondered.

After a moment, she laid down her pencil and pushed up the sleeve of her sweater to look at her watch. Piet had leaned toward her for a moment during dinner, whispered “Meeting tonight at six” and then turned back to his carrots before anyone saw.

Ten minutes yet before she had to leave.

She hadn't been in school today; she'd been with her mother, a few blocks away, with two terrified children huddled in a cellar. The Gestapo had broke down their door the night before, hauling their parents and older brother away. The two children, both girls younger than six, had huddled under their bed and managed to escape detection.

“Jews?” Charlotte had whispered when her mother told her.

“No.” Lorrie Skyyjer's face was grim. “The father had helped in printing and distributing pamphlets about the Allies' progress in the war. He was the man who brought paper, only that. But it was enough. Someone saw, reported, and the Gestapo came.”

A neighbor had found the children. They refused to come from under the bed, even when Charlotte and her mother came. They stared at something only they could see, and, arms twined together, refused to move.

Finally they had to be pulled out, separately since their combined weight was too much. Charlotte didn't think she'd ever forget their screams.

And here she sat, on her feather bed, in her warm house, wearing good, solid, even pretty clothes, with a full stomach. Safe. Secure. Out of danger.

While all around her people lost their lives fighting back.

Charlotte traced the figure on her easel with the tip of her pencil. “What would you do, Joan? What did you do? Did you sit safe at home and wait for your brothers, your best friends, to die?”

History proclaimed the answer.

And also the price Joan had paid.

Restless, Charlotte got up, pacing her room, until she gave it up, tugged a scarf over her flame of hair, and hurried out into the night.

The farmhouse was dark and empty, the barns likewise. The truck wasn't in the yard; obviously Farmer Smit, Jan and Piet hadn't arrived back yet.

She slipped through the darkness to the kiln, and swung the secret door open in the dark. From below she saw the flicker of candlelight. “Hello?”

“Charlotte?” She caught the owl-like glow of Jos's glasses. “Where is everyone?”

Charlotte's feet thudded down the earthen steps. “The boys aren't back yet. Isn't Hendrik here?”

“He's not coming.” Jos slid over on the rug, making a place for her to sit. “I've been here hours alone. I'm glad you're here.”

Startled, Charlotte glanced over to see if he was joking. But beneath his glasses, she saw not the twinkle of mischief, but the glitter of tears. “Jos. What's wrong?”

He shook his head. Nothing.

She turned him so he faced her. “Jos. What happened?”

His throat convulsed as he swallowed. “Remember the flour mill?” His voice was only a whisper. “The flour mill that was being converted into an munitions factory that we blew up?”

She nodded.

“I went along because I was small, and good with chemicals and fire. But Farmer Smit made sure no one knew my name or who I was. It was safer that way, he said. So I was the one who destroyed the mill, along with them.”

He paused. “The day before yesterday the Gestapo caught one of the people involved. They tortured him until he gave names. The Gestapo caught every one of the people involved in that mill, and twelve more who had nothing to do with it. Thirty people shot, Charlotte. Thirty people dead because of me.”

“Oh, Jos.” Emotion surged through Charlotte, smothering her. Jos took his glasses off, rubbing them with his handkerchief. In his eyes she saw the pain and the agony of guilt.

He's just twelve. Oh God, he's just a kid. He can't be responsible for thirty people's deaths.

Her hands twitched, ready to pull him into an embrace, hold him tight. Tell him it would be all right.

But somehow she knew it had gone beyond that.

“If only someone had known,” Jos said dully. “The first man they captured was in prison for a week before he talked. If someone had been inside, someone who could warn the others, then no one would have had to die.”

His words mingled in Charlotte's mind with words she'd heard Farmer Smit say.

“We need someone on the inside. Someone to find out what the Germans are going to do. But we can't ask anyone to risk their lives to that extent.”

And in that moment, Charlotte knew what she had to do.

Her mouth went dry, just thinking about it. Her father...everyone...

Bitter fear and sweet relief clashed in her mouth.

She knew what she had to do.

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